Ebook Design for Motion: Fundamentals and Techniques of Motion Design

Ebook Design for Motion: Fundamentals and Techniques of Motion Design

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Design for Motion: Fundamentals and Techniques of Motion Design

Ebook Design for Motion: Fundamentals and Techniques of Motion Design

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Review

"Austin is one of the first to identify and put down on paper a tangible, in-depth account of a new field that has quickly emerged within the design genre. For years, even professionals in the industry have had trouble giving it a title. Not only does Austin give it a name, but he also captures the essence of the field in a way that both young designers and professionals can appreciate. With words and pictures, he shares the process and explains in detail the knowledge base required for the field. He even questions industry leaders to qualify his process, making it a perfect balance of the academic and professional worlds." - Erin Sarofsky, Executive Creative Director, Sarofsky

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About the Author

Austin Shaw is a full-time Professor of motion media design at the Savannah College of Art and Design. He has also taught at the School of Visual Arts in New York City. For the past 12 years, Austin has worked as a motion designer for clients including Target, Ferrari, Fedex, McGraw Hill, Ralph Lauren, and VH1, and as a Creative Director, Designer, and Animator for companies such as Superfad, Digital Kitchen, Brand New School, and Curious Pictures.

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Product details

Paperback: 356 pages

Publisher: Routledge; 1 edition (December 10, 2015)

Language: English

ISBN-10: 1138812099

ISBN-13: 978-1138812093

Product Dimensions:

12 x 1 x 9 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#312,428 in Books (See Top 100 in Books)

Well, I put off buying this book for a long time. Mainly due to some 5-star comments that were placed so close together that it was obvious that they were added for the author to drive up his sales. I personally hate that. That being said, I bought it and thought it was very helpful for a budding motion designer to get familiar with the industry jargon and tips on techniques from the industry leaders. Word of caution, the book is definitely NOT a step by step guide to help you create the cool creations in this book (...thus only 4 stars). It's mostly opinions from industry folk along with client screen shots. And of course tips from the author on what he did in the thought process to create what he did.I was considering returning it but there are a lot of highlightable tips throughout. So, I will read it again to see what more I can gain from it.

If you know nothing about motion graphics, get this book. If you know something about motion graphics, get this book. If you think you know everything about motion graphics, get this book. It is not a technical guide and will not make you a master at Cinema 4D or After Effects, rather it is a book about motion-based design theory. It is packed full of industry advice and artistic philosophy from industry veterans and serves as an excellent reference to kick-start your conceptualization process. This book is not the be-all, end-all of books related to motion design; the descriptions are simply adequate and the majority of the text deals with artistic theory. However, it is a curation of some of the best work and ideas created working professionals; it is simply priceless.

As described

Just finished reading this book. Bought it last year.Disappointing to see a scathing review on this one and I am going to try to break it down for newer buyers. Saying the book doesn't 'teach' or 'simply brings up topics' seems quite un-informed and clearly someone who hasn't faced a real client in the industry.What needs to be said first is that in any creative field - 90% is self learning. There will be no book out there which will give you a step by step guide or teach you how to do it. This is not a tutorial book or a step by step guide book. The internet is filled with those and another book isn't needed for the same. On the contrary, it delves into design principles, rules, techniques, conventions, etc. (so that you can learn to break them) It tells you do's and dont's. Imagine it as a printed mentor. The author has tried to put his years of experience into words.This is a great primer for anyone who wants to delve into motion design. It goes through real projects, real work - student+professional. It helps pique the readers' interest on this vast but fairly new subject. And the author has ideally divided it into sections to channel those interests and build something out of it/understand them better.Worth every dollar.

This book is really nice. It not only contains a lot of knowledges about design aspects for motion graphics but it also has interviews about all the professionals in this industry. The interviews are the most valuable part of this book. It’s easy to find a book which has some tutorials about programs like photoshop and illustration or talks about only design principles but it’s hard to find a book which has all collection about professionals’s view like this book. I love seeing how the directors in this book approach their design and develop a concept. Also, the style frames inside the book are amazing source of inspiration. I would highly recommend this book if you are interested in working in motion graphic field.

Good primer for any student of motion design looking for a real world look into the creative side of making and getting work.

Design for Motion provides a great introduction to the process of design thinking for motion graphics. This book focuses mainly on the creation of styleframes, design boards, and process books, while still covering many other aspects of motion graphics. Inside you will find real world examples, plenty of student work, and input from top industry designers and directors like Patrick Clair, GMUNK, Erin Sarofsky, Daniel Oeffinger, Danny Yount.What also makes this book standout is its ability to be used by students and educators alike (and of course, active creative folk of any type). Included are a series of creative briefs that can be used to practice the techniques covered in the text. Take them seriously too, many of the student examples came from very similar briefs, and as you will see they yielded some impressive results.Take aways:- Great introduction to motion design principles and industry know-how- Covers wide variety of subjects within motion design (terms, process, pitches, design boards, styleframes, etc.)- Filled with student and industry examples- Interviews with many industry leaders- Built in "projects" for those serious about developing these skills

This is a great book. Accompanied by the professor that wrote, it's just the perfect combination. You should get it if you're into motion graphics, it makes learning fun.

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Download Ebook The Art of Losing

Download Ebook The Art of Losing

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The Art of Losing

Download Ebook The Art of Losing

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}

Audible Audiobook

Listening Length: 8 hours and 49 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Recorded Books

Audible.com Release Date: February 18, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07M86F47J

Amazon Best Sellers Rank:

I have always loved a good contemporary YA, and while I’ve never shied away from the ones that are more serious, lately I’ve mostly stuck with fluff and fantasy (for reasons).But Lizzy Mason’s stunning debut The Art of Losing is like a breath of fresh air; this heartfelt book somehow finds a way to perfectly balance the serious with lightness. And isn’t that the best way to live your life? Laughter is what helps us get though the hard times, and this book provides the perfect blend of tragedy, heart and humor.This book gave me so many feels, I don’t even know where to begin.Okay, let’s start with my favorite part: the relationship between Audrey and Raf (because I’m always a sucker for a good love story, more so lately than ever before). Their relationship is far from easy, but I loved the honesty and openness they share. Their past childhood friendship provides a nostalgic foundation, but it’s the realness of the time they spend together — and their ability to be truthful with each other — that makes their connection so special. There is a raw honesty to some of the moments they share that resonate with me still, long after finishing the book.The main arc of the book follows Harley in the aftermath of her sister’s actions and the crash that leaves her in a coma. The conflicting emotions she feels throughout this ordeal are complex, but Mason deftly helps her heroine navigate them in a way that feels genuine and real. (And they should; Lizzy was inspired by some of her own experiences as a teen addict.) Raf often helps provide perspective and guidance as Harley navigates these feelings, but ultimately, it’s up to her how to handle things — and though she makes mistakes along the way, she finds a way to live with what has happened and move forward.The Art of Losing is a book about grace and love and forgiveness — both for others, and for ourselves. I was absolutely captivated by this book from start to finish, and I can’t wait to see what Lizzy writes next.

2.5 STARS 4 STARS FIRST HALF 1 STAR SECOND HALF*Minor nonspecific spoilers*After Harley catches her sister and boyfriend kissing, Audrey and Mike are in an accident that leaves her in a coma. Harley reconnects with her neighbor and first love Raf as Audrey begins her recovery. Themes of addiction and recovery permeate through the story.During the first half of THE ART OF LOSING, I connected with Harley and the story, certain I was reading a five star book. Lizzy Mason prefaces THE ART OF LOSING with her own tale of addiction, recovery, rehab and twelve step programs. She second half of the book was a heavy-handed ode to substance abuse recovery. Mason clearly had a Very Important Message she wanted to convey substituting plot and character for her message.Here are some of the reasons I didn’t rate THE ART OF LOSING higher:-Instead of insta-love, Harley had insta-therapy. During her first session she opened up with no trepidation showing the insight of someone who has been in therapy for years.-Harley’s monologues to Mike and his mother.-Audrey’s traumatic brain injury recovery was plot driven and unrealistic to the levels at which thinking and memory return.-Love supersedes 12 step program.THE ART OF LOSING is a well-written, well-intentioned book that I wouldn’t recommend to anyone struggling with substances or anyone who wants to date a newly sober addict. Raf and Harley acknowledge the recommendation to avoid relationships in the first year of sobriety, but say screw it, our new love is way more important, even after he relapses. Raf says he’ll risk the pain of a possible breakup, but the reason for not dating is more to focus on sobriety as a priority. Harley decides she’s up to dating him after two AA meetings and a therapy session. Not a good message.

When I was a young adult, there were no books like this. This is an entertaining book about a deadly serious subject—addiction and recovery. It depicts the real confusion of a seventeen year old girl, who has to face her poor choices and try to make better ones in the future. The Art of Losing deals with peer group pressure and the importance of appearance. It is the kind of book that will engage young people, while allowing them to question their own lives.

This book is wonderful and a must-read for all teens. The writing is beautiful, and the author deals with hard subjects like teen addiction, betrayal, rehab and more with a deft, unflinching hand. At no point does this book slip into being preachy, and I wish I'd had a book like this as a teen. It would've helped me navigate so many tough social situations; better understand what I and some of my friends were going through; and it would've let me know it was ok to go my own way against peer pressure. Beyond all that though, this is a searing sisters story and a swoony sweet romance that will stay with readers long after they're done reading.

This is a great book for teens and for those who wish to understand them better. It explores some of the pain and decision making that takes place during this difficult period in all our lives.

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Free PDF Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter

Free PDF Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter

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Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter

Free PDF Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter

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About the Author

Maximillian Potter is Esquire magazine's Editor-at-Large. Formerly the executive editor of 5280: Denver's Magazine, he has been a staff writer at Premiere, Philadelphia, and GQ, and a contributor to Vanity Fair. He was a senior adviser to Colorado Governor John Hickenlooper, with whom he co-authored the governor's memoir. Potter is native of Philadelphia with a BA from Allegheny College and MSJ from Northwestern University's Medill School.

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Product details

Paperback: 304 pages

Publisher: Twelve; Reprint edition (July 28, 2015)

Language: English

ISBN-10: 1455516090

ISBN-13: 978-1455516094

Product Dimensions:

5.2 x 0.9 x 8 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

150 customer reviews

Amazon Best Sellers Rank:

#62,862 in Books (See Top 100 in Books)

I have been torn between my competing impulses of not being able to put "Shadows in the Vineyard" down and a contradictory desire to extend the time it takes for me to finish this book for as long as possible so as to prolong its enjoyment. The character development and imagery are incredibly vivid and seamlessly melded across time and geography. When you combine this with a love of historical writing and historical fiction as well as crime and mystery novels, "Shadows in the Vineyard" has accomplished at least a trifecta of everything that is dear to me in a book. Although this book is non-fiction, it reads like a novel and keeps you on the edge of your seat.

This book is beyond being entertaining, or informative. It is wise in a pragmatic, life-grit humanistic way, which I find preferable to the crystalline abstraction of philosophy. As I said, it is not a smart book – it is a wise book. To begin with, it is an unusually structured book, and, in essence, it is one continuous exposition from beginning to the end, with stories and facts offered unhurriedly, when they are needed. The pacing is perfect – not hectic-fast, yet not too slow either, requiring reader to slow down just enough to start appreciating the turn of language here and the turn of thought there, and simply start enjoying the process of reading it.Subject-wise, this book mixes history, agriculture, biography, and uses crime more as a pretense to expand on multitudes of topics. If anything, this book falls in line with a well-established literary tradition of books about nothing in particular but everything at once, written by what used to be called “men of letters”. Such mosaic of stories results in a “cumulative” effect, when by the end it grows bigger than the sum of its parts. In other words, one has to complete reading it in order to fully appreciate what a rare gem of a book this is. Which should pose no problem to anyone, unless a truly severe remission of ADHD gets in a way. I personally managed to finish the book in two sessions of about one hour and half each. Very Highly Recommended. Hope this helps.

The language with which vintners, connoisseurs, and critics talk about their favorite subject often resembles religious ecstasies, making the use of sacred wine for Christian communion services seem not only appropriate but completely right. In this book, which is "the true story of the plot to poison the world's greatest wine," however, author Maximillian Potter, a journalist, takes a much more secular approach to the subject, as he investigates the very real 2010 plot to poison the vines at the Domaine Romanee-Conti on the Cote d'Or. With its Pinot Noir regarded as the world's greatest wine, and its availability limited because the vineyard itself is small, the interest of sophisticated criminals in this wine is not surprising. At auction, a single bottle of Romanee-Conti from 1945 was then fetching as much as $124,000.The 2010 crime within the French vineyard itself is daring, potentially devastating to the vineyard, and both complex and time-consuming to pull off, as an unknown person or persons sets out to extort a million euros from M. Aubert de Villaine, the seventy-one-year-old "Grand Monsieur" who runs the Domaine with his cousin Henri-Frederic Roch. When Aubert de Villaine does not act upon receiving a message, the extortionist gives one last warning, providing more specific information and indicating that he has already drilled the bases of seven hundred vines and has already begun injecting them with poison. He will continue to do this if his terms are not met.Author Potter's broad approach to this subject resembles a compilation of stories about the vineyard, its owners, and its history, jumping back to the time of Louis XV and Madame Pompadour, and then jumping forward to the present, then toggling back and forth. While some might argue that such an approach slows down the narrative, others will treasure the insights gained into the whole subject of wine-producing. Throughout the book, Potter keeps the personalities of his subjects front and center, giving life to a subject which might otherwise feel static. King Louis XV, Madame Pompadour, and the Prince de Conti, an ancestor of the vineyard's owner and cousin of Louis XV, share space with scenes of the extortionist, living in a tiny eighty square-foot cabin carefully disguised on the de Villaine property, while two police try to discover who he is.In the last pages of the book, the author raises questions regarding the succession to M. Aubert de Villaine's position and who the choice may be. He talks about his own background and his reasons for writing the book and his opinions about wine critics with their elaborately over-the-top descriptions of wine, then describes having his first taste of Burgundy in the cellars of Domaine Romanee-Conti, with M. Aubert in decidedly different terms. He tells le Grand Monsieur: "This may sound crazy to you, but when I was a kid there was a candy called Pop Rocks. It was like candied sand and when you put it in your mouth, it sort of bounced around and filled your mouth. "[This wine] is like divine, liquefied Pop Rocks that make me feel lightheaded - the kind of happiness that I felt after I first kissed my wife."

This book exposes quite the caper. A bungled attempt by a not-so-clever French ex-con to extort money from one of the world's most prestigious wineries, the Domaine de la Romanee-Conti (DRC to its friends and lovers-and there are many). The author paints a very good, very considered portrait of DRC's proprietor Aubert de Villaine, a man of deep thought with an almost other-worldly connection to his vines, which in turn produce some of the world's most highly sought after Burgundies. The writing, while not great, is solid and tells the tale. If you're a fan of wine or of true crime stories, this one is worth the effort. Very good.

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Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter PDF

Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter PDF

Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter PDF

Shadows in the Vineyard: The True Story of the Plot to Poison the World's Greatest Wine, by Maximillian Potter PDF

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