PDF Download Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides)

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About the Author

Bill Branch, curator of herpetology at the Port Elizabeth Museum and chair of the International Union for the Conservation of Nature-African Reptile and Amphibian Group, is one of the world's top experts on the amphibians and reptiles of Southern Africa. He has written more than 150 scientific articles and four books, including Field Guide to Snakes and Other Reptiles of Southern Africa. Chris and Tilde Stuart, experts on Southern Africa's mammals, founded and operate the African-Arabian Wildlife Research Centre and are involved with research programs dealing with carnivorous mammals in Africa and the Arabian Peninsula. They have written nine books, including Field Guide to the Mammals of Southern Africa. Warwick Tarboton, writer and ornithologist, is an expert on the birds of Southern Africa and is currently president of BirdLife South Africa. He is co-author of the most popular bird field guide to the region, Birds of Southern Africa. Series Editor: Les Beletsky is a professional wildlife biologist and university zoology teacher. Prior to taking up writing wildlife guides, he conducted many years of field research on the ecology and behavior of birds. He is the author of numerous books, including Costa Rica, Ecuador, Southern Mexico, and Peru in this series.

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Product details

Series: Traveller's Wildlife Guides

Paperback: 488 pages

Publisher: Interlink Pub Group Inc; 1st edition (December 15, 2006)

Language: English

ISBN-10: 1566566398

ISBN-13: 978-1566566391

Product Dimensions:

5.8 x 1.2 x 8.8 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,202,281 in Books (See Top 100 in Books)

Having just come back from a two week photo safari, I had thousands of images to characterize. The book's organization is ideal for flipping through the plates in the back to find the name of a species that I can't remember. During the low level tagging, the book provides the full latin name too. Next time, it will go with me!

Arrived in good time - condition excellent! What more can you ask for - oh yes - a great price!!!

Great book, love the photos, and the information, BUT too heavy.

Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides) PDF
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Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides) PDF

Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides) PDF

Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides) PDF

Southern Africa: South Africa, Namibia, Botswana, Zimbabwe, Swaziland, Lesotho, and Southern Mozambique (Traveller's Wildlife Guides) PDF

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Free Download The Beauty Bias: The Injustice of Appearance in Life and Law

Free Download The Beauty Bias: The Injustice of Appearance in Life and Law

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The Beauty Bias: The Injustice of Appearance in Life and Law

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Review

"The book is illuminating and important: it explores the often unacknowledged, yet pervasive, discrimination against people, particularly women, who don t conform to mainstream notions of beauty and appearance [Rhode] is the one of the country's leading scholars in legal ethics and gender Rhode is incredibly prolific."--Danielle Citron, Concurring Opinions"[Rhode] is convincing in her arguments that laws punishing appearance discrimination might be a logical step in exactly the right direction it's hard to deny the validity of the problem that she confronts. And it's even harder to ignore the extent to which concerns about appearance shape our daily lives. Rhode so clearly enumerates the costs to society incurred by appearance discrimination that readers judges and lawmakers included will find themselves unsettled."--Christian Science Monitor"Provocative Rhode is at her most persuasive when arguing that in the United States, the penchant to discriminate against unattractive women (and also short men) is as pernicious and widespread as bias based on race, sex, age, ethnicity, religion, and disability. She provides overwhelming evidence of bias against the overweight, the unattractive, and the aging. And while some of these cases may be covered under the Americans with Disabilities Act or race discrimination law, most are not."--Dahlia Lithwick, Slate.com"This book is extremely well written. There are plenty of everyday examples of appearance discrimination and the book is written with a passion and enthusiasm that sweeps the reader along...a call to arms...No doubt it will create a considerable body of literature and much debate."--Legal Studies"Rhode writes clearly and thinks deeply. I found her case convincing morally and legally."--Dallas Morning News"This is a well-researched and thoughtful exploration of beauty ideals in legal, professional and other hard-hitting real-life spheres. A serious contribution to the literature of the politics of appearance."--Naomi Wolf, author of The Beauty Myth"Rhode's insightful analysis and lively writing style brilliantly lays out the ways in which prescriptions about appearance, whether mandated by the law, influenced by the billion dollar cosmetics industry, or the leaders of social movements, affect people's opportunities and their everyday lives."--Cynthia Fuchs Epstein, Past President, American Sociological Association; Professor of Sociology, CUNY Graduate Center"When the fastest-growing medical specialty is cosmetic surgery, we should all be concerned. Deborah Rhode's analysis offers real insight into what compels our 'beauty behavior,' the economic consequences, and what we can-and must-do about it. This book should be on every woman's bookshelf."--Kim Gandy, Former President, National Organization for Women"Deborah Rhode uncovers 'beauty bias' as an obstacle for women every bit as disabling as sex or gender discrimination, but more damaging because it is virtually immune to legal challenge. Her discourse and strategies for ending appearance discrimination speak to every woman and should be supported by all people concerned with social justice."--Herma Hill Kay, University of California, Berkeley School of Law

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About the Author

Deborah L. Rhode is the Ernest W. McFarland Professor of Law and the Director of the Center on the Legal Profession at Stanford University. She has a Yale BA and JD, and is a former law clerk of Justice Thurgood Marshall, a former president of the Association of American Law Schools, a former chair of the American Bar Association's Commission on Women in the Profession, and a former director of both Stanford's Center on Ethics and its Institute for Research on Women and Gender. She is the author or coauthor of twenty books, including In the Interests of Justice (OUP 2003), Access to Justice (OUP 2004), and Ethics in Practice (OUP 2003), and over 200 articles, and is the nation's most cited scholar on professional responsibility.

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Product details

Paperback: 272 pages

Publisher: Oxford University Press; 1 edition (July 14, 2011)

Language: English

ISBN-10: 0199794448

ISBN-13: 978-0199794447

Product Dimensions:

8.1 x 0.8 x 5.5 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#149,527 in Books (See Top 100 in Books)

Good: This book addresses a very important topic, raises a lot of relevant issues, makes some important points, and is pretty shortBad: The arguments are often pretty fast - Rhode prefers to skim over a lot of the key issues in feminism by glossing over things and deciding to focus on "refocusing the feminist critique" (pg 88) which is really just code for 'I'm going to ignore a lot of the deeper challenges to my work that come from various strands of feminism and instead make fairly uncontroversial points.' For a topic this interesting it would be good to have a more detailed, strenuously defended argument.As it stands, sympathetic readers are going to wish there was more substance, and hostile readers are going to find plenty of holes to poke. The book also contains a few factual mistakes and hasty over-generalizations, which it could certainly have done without.Overall: Worth reading if you're interested in the topic and want to get some of the issues out onto the table, but not so great for digging really deep and figuring stuff out for good.

This book has a really great idea about how there is a beauty bias and the discrimination between those who are attractive and those who are not. But I wish the author were less repetitive and instead wrote more about the psychological aspects for why this bias exists and what we can do.The book is basically a long list of various types of biases and repetition. I was really excited when I read the description of the book but was disappointed when I actually read it.

The topic of the book is very interesting yet I fell like a paper would have been more appropriate because after chapter 3 it is just too repetitive. The introduction gives a good idea and actually makes you expect a lot from the book, however I feel that it actually givesThe whole book away because after it there are no more surprises, same examples, same arguments with no more depth or data.

Very interesting, but too technical for "in bed reading". I didn't finish reading it. I usually find that books by journalists are fun and easy to read and books by professors are not.

The product was exactly what I needed me it arrived promptly.

Excellent stuff.

The book puts alot into perspetive and makes you think about "beauty" in a different context. The legal angle was a new one for me and I really enjoyed the writing.

The title notwithstanding, the book isn't really about "the beauty bias" as either a psychological or social phenomenon (Rhode is a lawyer, not a social scientist). It is rather about appearance discrimination in general, focusing mostly on discrimination based on race, disability, and obesity. I have no trouble believing such bias exists; sadly, though, Rhode does very little to prove it.Rarely have I seen a valid point so poorly argued. Rhode's argument is ill-supported, faulty in logic, frequently off-topic, and repetitious. I'm not sure how one manages to continuously repeat oneself in only 161 pages of text, but Rhode accomplishes it. Overall, the book gives the impression of having been an over-long law review article that the law students at most major universities justifiably declined to publish.The major problem with the book is that Rhode does not seem capable of formulating a coherent argument starting from a well-supported premise to a logical conclusion. Instead, she starts with some irrelevant personal anecdotes, throws around a number of disorganized facts gathered and claims made by others, impugns appearance-based discrimination with only minimal and unsatisfactory refutation of counterarguments, and makes some mostly arbitrary policy recommendations unsupported by any evidence of their effectiveness. By the end, the impression is that you have been the victim of a peroration rather than a scholarly work, and been made to pay for it in the bargain.One irony here is that I believe the problem Rhode discusses, identified by psychologists long ago (taking one incarnation as the "Halo Effect"), is perfectly real and deserves serious consideration. Another is that this book is written by a chaired professor of law at Stanford Law School, conventionally ranked among the highest in the country. It is published by one of the most prestigious academic publishers in the world. Both of which prove that reputation ranks among the least reliable indicators of quality. This gives me an idea for another book: "The Unmerited Reputation Bias." I want back my money and the 6 hours of my life spent reading this.

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Download Ebook Medical Malpractice Claims Investigation: A Step-By-Step Approach

Download Ebook Medical Malpractice Claims Investigation: A Step-By-Step Approach

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Product details

Hardcover: 384 pages

Publisher: Jones & Bartlett Learning; 2nd edition (October 25, 2006)

Language: English

ISBN-10: 076374042X

ISBN-13: 978-0763740429

Product Dimensions:

6.2 x 1 x 9.1 inches

Shipping Weight: 1.3 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#4,671,062 in Books (See Top 100 in Books)

Fantastic guide!

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Free Download The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, by Robert E. Howard Mark Schultz

Free Download The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, by Robert E. Howard Mark Schultz

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The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, by Robert E. Howard Mark Schultz

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Review

“Howard’s writing seems so highly charged that it nearly gives off sparks.”—Stephen King “I adore these books. Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life. I heartily recommend them to anyone who loves fantasy.”—David Gemmell, author of Legend and White Wolf “The voice of Robert E. Howard still resonates after decades with readers– equal parts ringing steel, thunderous horse hooves, and spattered blood. Far from being a stereotype, his creation of Conan is the high heroic adventurer. His raw muscle and sinews, boiling temper, and lusty laughs are the gauge by which all modern heroes must be measured.”—Eric Nyulnd, author of Halo: The Fall of Reach and Signal to Noise “That teller of marvelous tales, Robert Howard, did indeed create a giant [Conan] in whose shadow other ‘hero tales’ must stand.”–John Jakes, New York Times bestselling author of the North and South trilogy “For stark, living fear . . . What other writer is even in the running with Robert E. Howard?”—H. P. Lovecraft

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From the Inside Flap

""Between the years when the oceans drank Atlantis and the gleaming cities . . . there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars. . . . Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand . . . to tread the jeweled thrones of the Earth under his sandalled feet." Conan is one of the greatest fictional heroes ever created-a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers. In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume, profusely illustrated by artist Mark Schultz, are Howard's first thirteen Conan stories, appearing in their original versions-in some cases for the first time in more than seventy years-and in the order Howard wrote them. Along with classics of dark fantasy like "The Tower of the Elephant" and swashbuckling adventure like "Queen of the Black Coast," "The Coming of Conan "the Cimmerian contains a wealth of material never before published in the United States, including the first submitted draft of Conan's debut, "Phoenix on the Sword," Howard's synopses for "The Scarlet Citadel" and "Black Colossus," and a map of Conan's world drawn by the author himself. Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has beenimitated by many, yet equaled by none.

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Product details

Paperback: 463 pages

Publisher: Del Rey (December 2, 2003)

Language: English

ISBN-10: 0345461517

ISBN-13: 978-0345461513

Product Dimensions:

6.2 x 1 x 9.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

224 customer reviews

Amazon Best Sellers Rank:

#21,611 in Books (See Top 100 in Books)

I read all of Howard's Conan back when I was in high school and loved them. Decided that since it's getting close to 50 years since then, I might want to reread it since the movie (with Momoa, which is closer to the Conan I'd conjured in my mind from the books, better sense of humor then the Schwartzenegger one) had come out. There are a few arguments as to how you ought to read these stories--chronologically by Conan's life line, chronologically according to how Howard wrote the stories, some other means. I also did't bother with the Conan knock offs by other authors, went for just the pure Howard stories. This book gives you the background on Conan, his earlier adventures.

As far as Howard's Conan is concerned I'm a purist like most fans. My opinions on L. Sprague de Camp, Frank Frazetta and what the best Conan stories are differ with those of (most) other purists. One point I do agree on enthusiastically: Del Rey releasing, unchanged, every Howard Conan story, fragment, poem as well as Howard's show bible 'The Hyborian Age' in three companion volumes [THE COMING OF CONAN THE CIMMERIAN, THE BLOODY CROWN OF CONAN and THE CONQUERING SWORD OF CONAN] is the best thing to happen to Conan since Frazetta. THE COMING OF CONAN THE CIMMERIAN celebrates a young American writer never fully recognized for his enormous talent while alive.Fact: no one wrote the Cimmerian better than his creator Robert E. Howard. Later on a few writers took some fairly informed stabs at continuing his material, most failed. Robert Jordan was the best imitator I read but that's a slight statement comparing him to Lin Carter and Björn Nyberg's fan-fic efforts.L. Sprague de Camp was embarrassingly bad trying to write the character too although I don't damn the guy like most purists. He may have churned out crappy Conan fare, but he actually edited Howard's prose quite well, i.e. Treasure of Tranicos gives the largely absent Conan more onstage time, is funnier and more fleshed out than The Black Stranger (not in the book on review). Most important, de Camp went to great lengths to keep Conan in the public eye by getting Howard's tales reprinted in Gnome Press in the fifties and then in Lancer Books in the sixties. If it wasn't for de Camp none of us may ever have heard of Bob Howard. I don't care if de Camp changed story titles, he always told readers the original names anyway; don't care if he padded the saga for meretricious reasons; and could care less if de Camp (and Glen Lord and Lancer) got rich off Howard's writing. With Howard long deceased somebody was going to. Readers can't deny the benefits they've reaped from being introduced to Conan.Frazetta had more to do with Conan's success in the sixties than de Camp. You had to be there to grasp that. I'd seen Frazetta for years on Ace Book covers and in MAD Magazine and thought highly of his art. But nothing prepared me for Frazetta's savage vision of the Cimmerian, it was the best art of Frank's career. Back then I'd buy books with Frazetta covers just for the art and seldom read the book, but when I opened the pages of Conan the Adventurer I realized that just for once the art matched the story. Frazetta is definitely the iconic Conan illustrator but others have done well by the barbarian: Buscema, Alcala, Maroto and I welcome Mark Schultz to those distinguished ranks. I enjoyed his take on Conan in this book a lot, although he's more clean cut than the Conan in my imagination. The other volumes in this set also have excellent artwork.I disagree with many about the best stories in THE COMING OF CONAN THE CIMMERIAN. Rogues in the House (Howard paying homage to Poe?) and The Tower of the Elephant (a Cthulhu mythos tale with Conan?) are classics, of course, like The Phoenix on the Sword and The Scarlet Citadel. Black Colossus and Queen of the Black Coast are considered classic Conan too by most, but I never have liked them. I've read them a couple times apiece and they just don't put that stupid grin on my face I get with "formula" pieces like Iron Shadows in the Moon, Xuthal of the Dusk, The Pool of the Black One and The Devil in Iron (stories I've reread countless times). If I'm odd man out on that score, so be it. Howard evidently enjoyed presenting Conan through another character's eyes instead of telling all the stories from Conan's POV, i.e. Iron Shadows in the Moon is interestingly written in strict third person limited, entirely related from the viewpoint of Olivia, not once is the reader inside Conan's head. A Witch Shall Be Born (not in this volume) is a variation of this motif.I'm grateful Del Rey got the unadulterated Howard-and-only-Howard Conan into readers' hands in these fine collections. Too bad the fiscally challenged Weird Tales didn't pay Howard the two large they owed him in 1935 or readers might have a couple more Conan novellas the caliber of Red Nails (also not in this volume). And too bad Robert E. Howard got the literary reputation he truly deserved thirty years too late. I'm certainly not as passionate a Conan fan now as I was as a 14-year-old boy staring agog at the cover of Conan the Usurper for the first time in 1967, but reading Howard somehow reminds me of being that kid. And the older I get, the more important that seems to become.

A fantastic collection of the Conan stories AS THEY WERE ORIGINALLY WRITTEN by Robert E. Howard. Frankly, I found the illustrations a bit lackluster, but honestly, NO ONE could really live up to the jaw-dropping artwork by Frank Frazetta that helped bring back these stories to the public's attention in the Lancer/Ace paperback editions (1966-1977)... as a youth I poured over those books, grabbing any I could find at used book stores, and Frazetta's paintings influenced my own developing artistic talents. I did book reports on Conan books, drawings of barbarians & monsters for school art classes, even sat on the front row at the opening night of "Conan the Barbarian" starring Arnold Schwarzenegger. Just this morning I was playing the online pc game "Age of Conan: Unchained"... Yes, you could say Robert E. Howard's writings made quite an impression on this young kid from Oklahoma(now a 50 year old grandpa), fueling dreams not of cowboys & Indians, but of swords & sorcery!

“Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”The first volume of Del Rey’s three-volume collection of Robert E. Howard’s Conan stories is my introduction to Howard and almost my introduction to Conan. The Del Rey editions collect the stories in the order that Howard wrote them rather than by publication date or plot chronology. The first book includes a foreword by Mark Schultz and an introduction by Patrice Louinet. Both are excellent, neither denigrating the source material. Louinet is the editor, and Schultz contributed extensive illustrations (I understand these are missing from the Kindle version). He is no Frazetta—no one is—but I like Schutlz’s artwork a lot, and I find it supplanting Frazetta and the Ah-nold movies in how I picture Conan and his world. They do tend to be a little spoilery. The first volume also includes drafts, synopsizes, and, most notably, Robert E. Howard’s fictional history of the Hyborian Age.The stories in this volume are shorter than the stories in the other two volumes. I’m not going to review each. They are excellent, but Conan benefits from the longer stories in the other two volumes, and the stories in the second half of this volume are some of Howard’s weakest Conan stories.The dichotomy Howard draws between barbarianism and civilization is oft remarked on by commentators, not the least because Howard himself quite plainly lays it out. But there is more to it than a cursory, simplistic interpretation might imply. My impression of Conan was sealed by two of the first four stories—The God in the Bowl and The Tower of the Elephant.In each, Conan is a young thief. He doesn’t wear his role as a barbarian in civilized lands as comfortably as he does as an older man. This is a Conan who reacts to his discomfort with civilized society with anger and violence. In The God in the Bowl, Conan is loath to admit he came to the Temple to steal, but he reacts viciously when the watch thinks to seize him.“‘Back, if you value your dog lives!’ he snarled, his blue eyes blazing. ‘Because you dare to torture shop-keepers and strip and beat harlots to make them talk, don’t think you can lay your fat paws on a Hillman! I’ll take some of you to h___ with me! Fumble with your bow, watchman – I’ll burst your guts with my heel before this night’s work is over!’”In The Tower of the Elephant, Conan naively asks about the tower, brazenly declares he could burglarize it, and then kills the man for laughing at him.It is not the loincloth that makes the barbarian.

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The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, by Robert E. Howard Mark Schultz PDF

The Coming of Conan the Cimmerian: The Original Adventures of the Greatest Sword and Sorcery Hero of All Time!, by Robert E. Howard Mark Schultz PDF

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Ebook Free The Lamps of Louis Comfort Tiffany: New, smaller format

Ebook Free The Lamps of Louis Comfort Tiffany: New, smaller format

Guide can be set up to have such inspirations that may alter points to remember. One is that great writer constantly provide the inspiring passage, good lesson, and remarkable material. And exactly what to give in The Lamps Of Louis Comfort Tiffany: New, Smaller Format is greater than it. You could specify just how this book will obtain and accomplish your determination regarding this relevant subject. This is the method how this book will certainly influence individuals to enjoy it a lot. After finding the factors, you will certainly love more and more concerning this publication and also writer.

The Lamps of Louis Comfort Tiffany: New, smaller format

Ebook Free The Lamps of Louis Comfort Tiffany: New, smaller format

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About the Author

Martin Eidelberg is Professor Emeritus, Art History, Rutgers, The State University of New Jersey, and has written extensively on Tiffany. Alice Cooney Frelinghuysen is Curator of Decorative Arts at The Metropolitan Museum of Art, New York. Nancy A. McClelland and Lars Rachen are art consultants specializing in the decorative arts.Colin Cooke is a still life and food photographer in New York City.

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Product details

Hardcover: 240 pages

Publisher: Vendome Press; Brief edition (October 1, 2012)

Language: English

ISBN-10: 0865652961

ISBN-13: 978-0865652965

Product Dimensions:

8.8 x 1 x 10.5 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#605,507 in Books (See Top 100 in Books)

Not bad, has some lamps not usually featured in other books but is sort of a copy of the Taschen book on Tiffany. Could featured more unusual and rare lamps. For example, the famous venetian lamp is not featured.

This edition strikes just the right balances on: size (small enough to hold, big enough for picture detail); photographs and text; detail and overview. Very pleased

This products is deceiving. I thought I was buying 2 lamps but instead it was 2 books about lamps!!!! Buyer beware.

When The Lamps of Louis Comfort Tiffany was first published in 2005, I very much wanted a copy, but balked at the publisher's $75 retail price. Imagine my delight when I learned that the publisher had reissued THE LAMPS OF LOUIS COMFORT TIFFANY in this smaller-format hardcover edition at a much more affordable $35 retail price! (Both editions are available for less than full retail price on Amazon.) This smaller-format edition of the book is 10.4" x 8.7" x 1" and weighs 3 lbs.--in contrast to the original edition, which is 12.3" x 10.1" x 1.1" inches and weighs 4.2 lbs.The photographs in this smaller-format book are gorgeous, and I doubt that either the photos or the text have suffered much, if at all, from the downsizing. In fact, the less-hefty book is much easier to handle, if you're interested in actually reading the text, or in studying the lamp photographs closely.What I like most about this book is that it shows the complete lamps: the lamps have both the Tiffany glass shades (e.g., Wisteria, Daffodil, Cobweb, Dragonfly) and the elaborate, organic, metal bases that Tiffany created to perfectly complement the shades. I also love the close-ups of portions of the shades, which reveal the qualities of the individual glass pieces that went into the shades. And I enjoy inspecting the various photos of the Tiffany workshops, the Tiffany craftspeople, and Tiffany's homes.The book includes three background articles: "Tiffany's Studies of Lighting" by Martin Eidelberg; "Nature Is Always Beautiful" by Martin Eidelberg; "An Alliance of Arts and Crafts: Creating a Tiffany Leaded Shade" by Martin Eidelberg and Alice Cooney Frelinghuysen. However, the bulk of the book consists of a photo gallery of beautiful Tiffany lamps, with each lamp discussed in scholarly but readable commentary: "Important Lamps by Louis Comfort Tiffany: Lamps selected by Nancy A. McClelland and Lars Rachen, Commentary by Martin Eidelberg.

Excellent Book

Really nice hard cover book. Great as a coffee table book.

Magic

I got this for a gift and the book was beautiful!

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Free Download , by Camille Pagán

Free Download , by Camille Pagán

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, by Camille Pagán

Free Download , by Camille Pagán

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Product details

File Size: 2023 KB

Print Length: 266 pages

Page Numbers Source ISBN: 1542042232

Publisher: Lake Union Publishing (April 1, 2019)

Publication Date: April 1, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07GJYX3CM

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Amazon Best Sellers Rank:

#2 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I’m Fine and Neither Are You is a thought-provoking, timely novel that takes a deep look into relationships between friends, between spouses, and between parents and children. Penny is the primary breadwinner and caretaker of her family, hiding resentments by acting as if all is right in her world. But an unexpected tragedy causes Penny to take a hard look at her life, her marriage and her job with clearer eyes and a promise to herself to be more honest about her own feelings. The characters in this book are so well-written...complex characters who will connect with readers on so many levels. This story will cause readers to think of their own relationships...relationships, like the ones in the book, are messy and complicated, and they are portrayed in this book with insight and honesty. My emotions were taken for a ride while I was reading this book, a ride complete with ups and downs, bumpy roads, twists and turns.

I can't say enough good things about this book. It is open and honest, it makes you root for Penny and Sanjay. It breaks your heart and still manges to make you feel good.Penny's epiphany that she can change her life may have been the best thing that ever happened to her. I love how supportive Sanjay was when it came to working on them. Jenny's death may have been that catalist for setting it all in to motion but I love that Penny found her way.I feel that so much of this book is important. It talks about addiction, family, honesty, love, doing the right thing. Camille Pagán was able to write about so much and do it well in what I feel wasn't really that long of a book. Maybe that was just because I couldn't put it down.I highly recommend this book to all women and mothers.I received an ARc from NetGalley and Lake Union Publishing in exchange for an honest review.

I was so excited to see the author as a selection for March's First Reads. I have read other works by Camille Pagan and was eager to read her latest work. I was not disappointed. In this book, the author deals with the current opioid crisis as well as the issues and pressures of being a working spouse and parent. I thoroughly enjoyed this book- you will too!

"How are you?"How often are we asked that question each day? And each time, how often do we automatically say "fine." Even if your world is crumbling, your marriage is crumbling, your health is questionable, your kids are driving you crazy, how often is the answer simply "fine?"Odds are, if you're like most people, the answer is fairly often. Camille Pagan's "I'm Fine and Neither Are You" addresses this in a real-world, often-humorous, but very relevant way. The book is told through Penny's perspective. Penny is a mom in her late 30's, married ("happily" is in question), with two elementary-school aged children. She works full-time (beyond, given the number of hours she puts in) and makes good money ("happily" is also in question). This is important because her husband has been freelance writing, and not bringing home his share of the bacon.When her best friend dies suddenly, Penny is forced to look at her life and what is really going on. She has to learn how to confront people, situations, and herself. Because taking a long, hard look at your own life isn't easy and it certainly isn't pretty. She needs to figure out what makes her happy in order for everyone else to be happy.This book is great for anyone dealing with middle age, marriage, or just trying to find their own happiness in a real way.

I am an older woman so I've been through many of the things the main character in this story was experiencing. I had a harder time in many ways, but I never had to be sold support of the family, so I can't really fault her. All in all, a good tale and well told.

A tragedy sends a shockwave through Penny Ruis-Kar's life, and what were narrow fissures in her relationships become gaping chasms. Given that her mantra is that everything is unequivocally fine, how will she find a way to make her world whole again?She decides upon radical honesty as a courageous prescription for an ailing marriage and a fraught worklife. And in telling this story, Camille Pagan's own radical honest is the key to its success. The portrayal of Penny and Sanjay's marriage is as unflinching as any I have read, and that's exactly why it works. No fairytales here, just real struggles, awkward memonts, touching insights, and plenty of humor to ease the pain.Pagan has boundless compassion for her stumbling, striving characters, and you will, too. Wise, entertaining, and big-hearted, I'm Fine and Neither Are You is as nuanced as a marriage, and equally as worthwhile.

I've read all of Pagan's novels; obviously I'm a fan. Her background as a journalist/non-fiction author serves her fiction well: She knows what it is like to interview people, so she knows how they sound, and her dialogue sounds real.I read her latest, "I'm Fine and Neither are You," in a weekend. Like all of her novels it was well-paced and an easy read, despite dealing with some tough topics. Pagan is artful at writing books that are light, but not mindless. Without a lot of spoilers, this book deals with marriage, honesty, healthcare, and the national opioid addiction epidemic, all told with Pagan's signature strong voice.I personally, did not like Penelope, the main character. I questioned some of her beliefs and her choices, and that stayed with me throughout the entirety of the novel. It says a lot about Pagan as a writer than she can make you care about a story line and the outcome of a book, even if you aren't rooting for the protagonist.(Full disclosure: I received an ARC of this novel.)

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